I think that in the intro it probably would have been better if you used a felt piano, like Noir. Right now it starts off immediately very harsh on the ear. I like the strings that you used in this, very realistic and clear in the frequency. During the piece, the piano was kinda starting to annoy me, because like I said about the beginning, it's just very harsh. I absolutely love the break at 2:57. It's very unexpected, but works very well. at 3:45 you have a reverse crash going on that is relatively way lower in quality then the rest of the whole composition, with a very sharp high-end. That's quite a shame unfortunately. During the climax I think that the juxtaposition of the violin against the trombones doesn't work quite as well as you probably initially intended. That's because the trombones sound way more intense than the violin, making the climax loose it's impact at the violin parts. Also that last note of the violin as the outtro is always a good idea. But please for the next time make it last less longer because the high-end was becoming more and more sharp the longer this one note played. Really really high production value as always, but I expected nothing less from you